Thursday, May 10, 2012

Leonard Bernstein: The Symphony Edition

Leonard Bernstein: The Symphony Edition

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Post Date : May 10, 2012 17:48:26
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Leonard Bernstein: The Symphony Edition

Leonard Bernstein: The Symphony Edition

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Saturday, April 7, 2012

Complete Duo Recordings

Complete Duo Recordings

Complete Duo Recordings
Complete Duo Recordings

Rate : | Price : $51.03 | Post Date : Apr 08, 2012 01:21:06
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Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.

Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.

Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."

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Friday, March 30, 2012

111: The Collector's Edition 2

111: The Collector's Edition 2
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Post Date : Mar 30, 2012 15:15:41 | Usually ships in 6 to 11 days

111: The Collector's Edition 2

The best-selling catalog campaign from last year returns with all-new editions. Celebrate 111 years of Deutsche Grammophon with these limited-edition, specially-priced box sets. Hurry, because DG turns 112 on December 6, 2010. 111: The Collector's Edition 2

As a counterpart to the original 111 Collector's Edition (55-CD set which sold-out in less than 6 weeks last year), this 56-CD box-set is the perfect companion edition. Expanding both back in time to 1939 and forward to the most recent of DG releases, the set includes artists such as Kathleen Battle, Itzhak Perlman, Gidon Kremer, Vladimir Horowitz, Mstislav Rostropovich and many others.

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